![]() “I hope that they are welcomed into this industry with an open mindset and that they give themselves the time to learn and make connections,” says Kayla Foster, audio comms specialist, ESPN. But it is hoped that young women, with four years of time and experience with the equipment and working in a control room, will enter the professional ranks respected and accepted. Without knowledge of the chances for employment behind the camera, it’s not clear how critical such positions are to any given production. “I want to get to a place where it’s normal to see women in these roles in the control room.” “I love seeing women in college learning replay,” says Alisha Fonseca, senior media replay operator, ESPN. When they get to college and choose a major or future career path, they will hopefully be influenced to go down the road to a behind-the-scenes position. The initiative is cyclical: a broadcast highlights an all-women crew, women of all ages watch the game, and they will ultimately create a future all-women crew. ![]() ![]() With a greater emphasis on diversity and inclusion, the industry is actively seeking out and developing projects or opportunities that include women.”Īlisha Fonseca, who has been with ESPN for five years, will be lead replay operator.Īt a grassroots level, interest can be increased by opening these doors to women at a younger age. “It’s a new generation coming out of college in an industry that has always been male-dominated. “We can expect more female-led shows in the future because we finally have the personnel and interests in the industry to fill certain roles,” says Deanna Benjamin, remote operations supervisor, ESPN, who will join Shea as the lead REMI supervisors for tonight’s game. Occasions like National Girls and Women in Sports Day in February and International Women’s Day in March serve as opportunities to raise awareness about women’s roles in the industry, but the goal is to shift the community’s thinking and make all-women crews a normal sight in control rooms. Fueling More Interest: A Push To Make All-Women Teams a Normal Occurrence Both shows will be hosted by Malika Andrews and will feature analysts Chiney Ogwumike and Becky Hammon and senior writer Ramona Shelburne. In ESPN’s Los Angeles Production Center, two shows - NBA Today at 3-4 p.m. On the talent side, the main game broadcast will feature play-by-play commentator Beth Mowins, analyst Monica McNutt, and reporter Katie George. The crew will include a technical director, A1, comms operator, four replay operators, and a Viz Libero telestration operator. The live game production will be handled by PCR (Production Control Room) D70 and Media T inside Bristol’s Digital Center 1. “What’s exciting about this game is that every woman regularly works on REMI events and the NBA, so it’s an opportunity to spotlight the talented women we have working behind the scenes on our live events.” Inside the Ops: Bristol To Power Game Production Los Angeles To Handle Studio Showsĭeanna Benjamin (left) and Tara Shea will serve as supervisors for ESPN’s REMI production from Bristol tonight.įrom production and operations to transmissions and graphics, a total of 175 women will contribute to the coverage. “We worked with the NBA’s production team - as well as with our partners in operations, directing, and creative services - to coordinate and schedule all positions in Bristol and onsite,” says Tara Shea, remote operations supervisor, ESPN, a 14-year veteran with the broadcaster. ![]() Marking International Women’s Day, it will be the network’s fifth time deploying an all-women crew in the 2023-24 season, but for the third consecutive year, the game will be produced via a REMI production from Bristol, CT. When the Cleveland Cavaliers host the Minnesota Timberwolves at Rocket Mortgage FieldHouse tonight, the ESPN broadcast of the NBA regular-season contest will have an all-women crew in front of and behind the camera.
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